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Why Study Classical Fencing? Art Or Sport? IFV Classical Fencing Method
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Because the transient conditions of the fight are fluid and infinitely variable it is not practical to rehearse for every possible tactical eventuality. Instead, one must learn tactical principles applicable and adaptable to various situations.
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The Dubious Quick Kill part 1 | The Dubious Quick Kill part 2 When Valor Preys Upon Reason | Review and Commentary Duels with the Sword | Starting with Foil | Grim Realities | Jean-Louis The Adventures of La Maupin | Liancour's Tercentenary The Manuel d'escrime of 1877 | The Military Masters Fencing Program Acamillo Palladini's Discourse | Analysis of the Patton Fencing Manual The Red Court | Fencing's Royal Connection Rafael Sabatini Prince of Swashbucklers | The Practical Saviolo part 1 Saddle, Lance and Stirrup | Demystification of the Spanish School 1 Demystification of the Spanish School 2 | Demystification of the Spanish School 3 At Sword's Point: Swashbuckling in films | A Brief Look at Joseph Swetnam The Top 10 Swashbuckling Films | Ithacan Retains Title | Third Time's a Charm Cross-Training Not Cross-Purposes | Riposte Direct | Use of the Word "Sparring" Chivalry Makes a Come-back | Teachings of Marozzo | Top 10 Misconceptions The Play's The Thing | The 5 Tactical Principles | The 4 Strategic Positions
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